SETH COOKE «TRIANGULAR TRADE» |
__________________________________________________________________ $10 plus shipping and
handling:
OUT OF PRINT |
||
«TRIANGULAR
TRADE» takes its name from the system of trading between three ports or
regions, the most notorious example of which was the transatlantic slave
trade. Commissioned by the Arnolfini to
thematically accompany John Akomfrah’s 2015 film,
‘Vertigo Sea’ – a film that explores oceanic migration, slavery and
exploitation – Cooke conceived the composition to address the significance of
situating the film’s UK premiere in Bristol, a city that has yet to reconcile
its current consciousness with its participation in the slave-based Atlantic
economy. Since that initial installation, Cooke has continued to rework,
refine, and add to the material. The piece triangulates themes of slavery,
migration, and climate change—from West Africa, the Americas, and England; to
Liverpool, London, and Bristol; to local ambivalence toward Edward Colston, Bristol's historic benefactor, whose wealth was
built, in large part, upon the transatlantic slave trade. Each
copy of «TRIANGULAR TRADE» includes an archival CDr
containing a single 45-minute sound recording; eight text-based collages
created by Cooke that provide context, raise further questions, and connect
the broader thematic implications of the work; and a sheet providing
information on the source material, instrumentation, and recording process. |
“Diasporic lives are characterised by an absence of ruins. There are no
monuments that even as ruins attest to your existence, of your passing
through a space. This then means that the intangibles, be they sound or words,
become necessary building blocks. Lives that are not legitimised
in the official monument can then be given a certain kind of legitimacy.” John Akomfrah, Sound and Music interview
John Akomfrah, TateShots interview |
||
1.
TRIANGULAR
TRADE [45:55]
|
|
||